Dilip Kumar and Raj Kapoor’s ancestral homes in Pakistan to be turned into museums | EXCLUSIVE
Pakistan has begun renovating the ancestral homes of Bollywood legends Dilip Kumar and Raj Kapoor in Peshawar. The iconic structures will soon be transformed into museums, honouring their cinematic legacy and preserving cultural heritage.
New Delhi: Dilip Kumar and Raj Kapoor’s ancestral homes in Pakistan have now gone under renovation and will soon be converted into museums. Reacting to the news, Saira Banu said, "I am very happy to know that they are doing a great job by honouring both these legends. Because truly, there will never be people like them again—and I believe that with all my heart. There will never be another ultimate actor. Even someone like Amitabh Bachchan has referred to Dilip Saab as a reference point for great acting. He has been a sole inspiration for six generations of actors, who believe they are what they are today because of the inspiration they found in him.”
Saira Banu, who has also worked with Raj Kapoor, added, "There has never been a showman like Rajji. Who can forget each of his efforts? His films have been landmarks. I think they could have done nothing better—and I truly wish for it with all my heart.”
When asked about the possibility of a small museum being set up in the new complex coming up in place of Dilip Kumar’s bungalow at Pali Hill, she responded, "It’s just a small little place, and I don’t know if it’s really going to happen—but I feel our government should definitely create something lasting for the coming generations, in the form of landmarks, museums, and archives in honour of both of them. Fans should have a space they can visit and experience their legacy. Yes, everything is now available on mobile phones—but seeing it in person gives a different kind of thrill. The government should really take the initiative in a big way and establish landmarks for these two legends—and for that matter, even Lata Mangeshkar.”
She further shared, "For me, it’s not just about the costumes from their films. I would love to see the personal side of these legends. Maybe some scribblings of Dilip Kumar, his personal belongings, like his pens. For me, it should go beyond the costume. We should get to see the person behind the star—the little things we never knew. All of that was held in high esteem. They were great men—and she was a great lady.”
(With inputs from Bharti K Dubey.)